27
As long as you have been away, I have been to the theatre at most three times, never for my own money. I saw Seydelmann in "Molière as a Lover," where he did not disturb; then I saw him again as Carlos in Clavigo, where you already know him; and lastly I saw Hagn as Käthchen of Heilbronn, where she also did not please me, since she often fell into her pert tone, which does not suit Käthchen. Altogether, Käthchen of Heilbronn is the most tedious and abominable piece that one can see; especially as it is still very much botched for performance. At the end the Emperor declares that Käthchen is his child, but not from the wife of the armourer, but that she is his legitimate child, which he once handed over to the armourer for safekeeping "for reasons". Thereby an apparent offensiveness is indeed removed, but the character of the armourer is falsified. The armourer stands at the end on the stage even more ridiculous than in Kleist's piece. — That you read the Vossische Zeitung solely for the theatre announcements and thermometer readings is right: those announcements are the only accurate ones in it........
[Notes for 27 here]